Guy Julier y Viviana Narotzky enfocan su objeto de estudio a la sociedad contemporánea influenciada por la transnacionalización y la globalización y en los nuevos paradigmas del diseño y la cultura material de la mecanización y la seriación que marcan al diseño y la historia en el siglo xx.

I’ve added a new page to this blog – it’s called ‘The work’. It lives on the right-hand sidebar, alongside ‘the author’, ‘the blog’ and ‘the book’.

It has a selection of links to some of my writing, as well as a few downloadable PDF files. There’s writing on Barcelona, including a full chapter of my book La Barcelona del diseño. Many of you have been asking if it was available in English – not as yet, but here’s a taster.

There’s also links to online excerpts of other things I’ve written about: old American cars in contemporary Cuba, TV makeover shows and domestic interiors, the challenges of historical research in archive-averse environments, or the relationship between footnotes, chairs, and cities.

Go have a look – the goods are in The Work. There are texts in English, Spanish and Catalan, so there’s something for everyone!

Book cover by Daniel Gil.

I haven’t actually done the head of a pin calculations yet, but I can tell you for a fact that you can fit pretty much all of them in your pocket. The global digitization of archives continues apace, some of it backed by corporate or institutional funding, some of it the work of enthusiastic individuals.

Here’s a brief roundup of some online archives of Spanish graphic design that I’ve recently come across.

Cubiertas de Daniel Gil.  Daniel Gil designed over 2000 book covers for Alianza Editorial between 1966 and 1992. 938 of them are shown here, a labour of love by Alvaro Sobrino.

Josep Artigas – Dissenyador Gràfic. Josep Artigas i Ojeda (Barcelona, 1919-1992) was one of Spain’s major post-war poster designers. Some biographical details are here. (in Catalan). This archive is managed by Memòria Digital de Catalunya (MDC).

Josep Artigas for Nestlé

Josep Artigas for Polil, 1949.

Also on the MDC catalogue:

Cartells de la Biblioteca de Catalunya,

Cartells de la Biblioteca de l’Esport,

Cartells del Pavello de la Republica (mostly posters from the Second Republic and Civil War).

La Vanguardia has a nice video with interviews of some of the donors who explain their relationship to the objects they have given. But I can’t embed it so go watch it here.

Luis M. Feduchi & Javier Feduchi. Room of Hotel Castellana Hilton, Madrid. 1953.

The Madrid Architectural Association COAM has a great resource for mid-century Madrid design: Catálogo de Muebles – Madrid de los 50 y 60. The online catalogue of images is based on the research carried out for two exhibitions on 1950s and 1960s design respectively, curated by Pedro Feduchi, which took place in 2005 and 2006. The images come from periodical publications such as Revista Nacional de Arquitectura, Hogar y Arquitectura, Nueva Forma, Temas de Arquitectura, and furniture manufacturers’ catalogues of the time period.

The database is organised by designers, pieces, interiors and trade catalogues, and there is also a keyword search option. The interface is not particularly smooth or user-friendly and it’s time-consuming to have to click on every individual entry to see a thumbnail of the image. Searching by item typologies seems to be the most effective option, as thumbnails are supplied. In any case the collection is structured in a clear way and the material is worth the effort.

[Thanks to Jordi Esteve].

Side-chair. Jose Dodero, 1961.

Side-chair. Miguel Fisac, 1960.

T.D.C. Catalogue, 1956. Designs by Fernando Ramon Moliner.

Fernando Alonso Martinez & Francisco Muñoz Cabrero. Ceiling light, 1955.

Reading lamp for the Instituto Eduardo Torroja. Commercialised through Darro. 1959

Starved of funds and resources in the 1930s, Spain’s printers found their own, ingenious way to respond to the avant-garde. The Art Of Necessity, an interesting piece by Mery Cuesta and Jordi Duró.

Via CR Blog.

Fundación Signes is promoting a campaign to save old shop signs that are at risk of disappearing. They are encouraging people to send pictures and note the exact locations, and have started building an online collection which already has some beautiful examples. It’s a great initiative and a particularly urgent one in cities like Barcelona, whose obsession with urban face-lifts and modernisation is creating an increasingly sterile environment. My recurrent nightmare, after a few months back in Barcelona, is that very soon there won’t even be a stretch of pavement left that is older than a decade or so. What this city needs is a Campaign for the Preservation of Grime and Urban Patina.

Another wonderful ongoing online project is José Antonio Millán’s Abecedario Industrial y del Comercio, which showcases hundreds of images of letters taken from commercial signs around Spain (mostly in Catalunya). Millán’s selection showcases the best – and worst!- of anonymous design’s creative drive, highlighting letters that try to represent the objects and services advertised. A fantastic overview of outsider typography.

Interior - Dining room. Enciclopedia de la Decoracion, Centro de Estudios CEAC, Barcelona, GERSA, 1963, vol.4, p.25

I mentioned in my previous post the forthcoming symposium on turn of the century interiors in Barcelona. If you’re interested in that kind of thing, I thought I might also point you to the Domestic Interiors Database, DIDB.

I coordinated that project over three years while at the AHRC Centre for the Study of the Domestic Interior, based at the Royal College of Art in London.

You can see part of my own research contribution to the database here, in this case a few pages of results with many images coming from the photographic archives of the Amatller Foundation, which have never been published before. There are some spectacular 1900 Barcelona interiors for you to enjoy. There’s also, should you prefer technicolour to black and white, some really cool pictures from a 1963 Encyclopaedia of Interior Decoration published by CEAC in Barcelona.

The online DIDB offers over 3,000 representations of domestic interiors from 1400 to the present day, in Europe and North America. It was one of the major collaborative research outcomes of the AHRC Centre for the Study of the Domestic Interior. Textual sources in the database cover novels, poetry, manuscripts and inventories, diaries and correspondence, accounts, trade literature and advertisements, periodicals and advice manuals. Visual sources extend from Renaissance paintings to eighteenth-century graphic satire, from nineteenth-century design books and popular magazines to dolls’ houses, from twentieth-century photographs and computer stills to interior design drawings.

Have fun!

It’s a bit late but, Reactable Systems are running a competition to design an identity for themselves and the reactable. It would be great if more designers in Spain got to hear about this.

Well, the deadline is January 11th, so yeah, it’s a bit late!

Still, it’s worth giving this a shout-out, if only to get you to check out the Reactable project, which is truly magnificent and has gathered a long list of awards, including the Ars Electronica Prix and two D&AD prizes in 2008. It’s an exciting interaction design project that brings together engineers, computer scientists and musicians, based at the Universitat Pompeu Fabra in Barcelona.

The Design History Foundation is a private institution that was established last year in Barcelona. It seeks to promote, support and disseminate the work of design historians in Spain and Latin America. Its aim is to help in the establishment and development of the History of Design through  research, postgraduate and training workshops, conferences and symposia, exhibitions and publications. One of the key aims of the Foundation is to enhance the visibility of the History of Design as an area of historical studies.

The DHF has worked closely with the recently launched Barcelona Disseny Hub, curating the poster exhibition Col.lecció del Gabinet de les Arts Gràfiques, and putting together a new study collection of over 1000 Spanish posters.

I believe Barcelona’s DHF will be a great platform to promote a better understanding of design and to showcase what design historical approaches can contribute to thinking through visual and material culture. Through the Board of Trustees, we’re establishing a range of institutional links with national museums, and the Graphic Arts exhibition currently on show at the Palau del Marquès de Llió (Montcada 12, Barcelona) is its first major public outcome.