Guy Julier y Viviana Narotzky enfocan su objeto de estudio a la sociedad contemporánea influenciada por la transnacionalización y la globalización y en los nuevos paradigmas del diseño y la cultura material de la mecanización y la seriación que marcan al diseño y la historia en el siglo xx.

I’ve added a new page to this blog – it’s called ‘The work’. It lives on the right-hand sidebar, alongside ‘the author’, ‘the blog’ and ‘the book’.

It has a selection of links to some of my writing, as well as a few downloadable PDF files. There’s writing on Barcelona, including a full chapter of my book La Barcelona del diseño. Many of you have been asking if it was available in English – not as yet, but here’s a taster.

There’s also links to online excerpts of other things I’ve written about: old American cars in contemporary Cuba, TV makeover shows and domestic interiors, the challenges of historical research in archive-averse environments, or the relationship between footnotes, chairs, and cities.

Go have a look – the goods are in The Work. There are texts in English, Spanish and Catalan, so there’s something for everyone!

Book cover by Daniel Gil.

I haven’t actually done the head of a pin calculations yet, but I can tell you for a fact that you can fit pretty much all of them in your pocket. The global digitization of archives continues apace, some of it backed by corporate or institutional funding, some of it the work of enthusiastic individuals.

Here’s a brief roundup of some online archives of Spanish graphic design that I’ve recently come across.

Cubiertas de Daniel Gil.  Daniel Gil designed over 2000 book covers for Alianza Editorial between 1966 and 1992. 938 of them are shown here, a labour of love by Alvaro Sobrino.

Josep Artigas – Dissenyador Gràfic. Josep Artigas i Ojeda (Barcelona, 1919-1992) was one of Spain’s major post-war poster designers. Some biographical details are here. (in Catalan). This archive is managed by Memòria Digital de Catalunya (MDC).

Josep Artigas for Nestlé

Josep Artigas for Polil, 1949.

Also on the MDC catalogue:

Cartells de la Biblioteca de Catalunya,

Cartells de la Biblioteca de l’Esport,

Cartells del Pavello de la Republica (mostly posters from the Second Republic and Civil War).

To celebrate both its 25th anniversary and the festive season, 4th estate publishers (a division of HarperCollins) has commisioned a short stop-motion animation film produced by Apt, a London-based design and marketing consultancy.

This Is Where We Live, is the wonderful combination of a love for books, a love for urban life, and the work of  ‘an insane bunch of animators’ – their words, not mine. Created entirely with actual, physical books published by 4thEstate, the film projects a charming, somewhat romantic vision of the city, and a great sense of humour in its linking of the titles, and sometimes the narratives, to London. The Greenwich Observatory, for instance, is made out of Dava Sobel’s Longitude, while the West End Cinema is made of books that have been turned into films.

This Is Where We Live from 4th Estate on Vimeo.

Launched just under two weeks ago, the Designer’s Review of Books promises to be a nice place to hang around and browse the online shelves. The DRB was founded, is edited and written (mostly) by Andy Polaine, an interaction designer, journalist and lecturer, but it features guest reviewers as well for more specialist pieces. Here’s what Andy says about his project:

Although there are several good design websites that occasionally have book reviews, there didn’t seem to be a single place online where you could get constant updates and reviews of new (and sometimes old) design books.

The reviews are grouped under 2D, 3D, Interactive and Motion, and so far the 3D aspect is under-represented, although that will probably be addressed as more articles are posted.

There are still only a handful of reviews on the site, but they are for the most part quite detailed, giving a good overview of the books’ contents and with some welcome pics of interior spreads. While more descriptive than critical in tone, they provide a helpful indication of what the books are about and of their approach. So it’s not quite yet the design equivalent of the LRB, but a great initiative nonetheless. Keep reading.

Piers Fawkes of PSFK, a global trends and innovation company with a strong online presence, interviewed me recently about Spanish design and my book La Barcelona del diseño. You can read it here.

…or, after watching the video above, one might be tempted to swap famous titles and go for ‘How I Learned to Stop Worrying and Love Barcelona’.

The video is part of an online campaign for the promotion of the book Odio Barcelona (‘I Hate Barcelona’), published by Editorial Melusina. It’s a compilation of pieces by twelve Barcelona-based authors, whose essays address aspects of the city that they dislike, in most cases related to the housing boom speculation and the negative effect of commercial interests on the fabric and spirit of the city, as well as to the growing pressure of Catalan nationalism on everyday life and urban politics.

Authors include Javier Calvo, Agustín Fernández Mallo, Philipp Engel, Robert-Juan Cantavella, Hernán Migoya, Llúcia Ramis, Matías Néspolo, Carol Paris, Oscar Gual, Lucía Lijtmaer, Javier Blánquez and Efrén Álvarez.

There can be no doubt that the extended honeymoon of the Barcelonese with their city is long over, a disenchantment that was probably sealed in the collective urban mind by José Luis Guerín’s 2001 film En Construcción, the understated but moving documentary of the construction of a new building in the inner-city neighbourhood of El Raval.

Another recent addition to the chorus of critical voices is Manuel Delgado’s book La ciudad mentirosa. Fraude y miseria del modelo Barcelona (‘The Liar City. Fraud and Misery of the Barcelona Model’), published by Catarata in 2007. This is an impassioned rant, described by the author as the cry from the heart of a disabused lover. Although the author is an academic at Barcelona University, the work is journalistic in tone (but with useful bibliography in the footnotes). It offers a fairly generic serving of urban studies and public space theories as background to a virulent critique of the evolution and implementation of the Barcelona model of urban regeneration, particularly the wholesale commercialisation of the city both as a ‘brand’ and as a building site.

There’s been a lot of water under the bridge since the heady days of Naomi Klein’s No Logo. Lately, the general trend in cutting-edge consumer culture business thinking has been that the new generations of consumers are a savvy bunch, tricky to reach and brainwash, highly articulate in the art of navigating safely the stormy seas of corporate branding without getting their gear wet.

Rob Walker begs to differ. He has been writing the ‘Consumed’ column for the New York Times magazine for the last few years, a clever and perceptive take on 21st century consumer culture. His work has been described as a mixture of cultural anthropology and business journalism. His latest book, Buying In: The Secret Dialogue Between What We Buy And Who We Are, explores the industry’s response to try and reach the post-No Logo crowd, a subtler, more insidious technique that Walker calls ‘Murketing’: murky marketing. So if you’d like to get updated on what’s been going on since viral marketing was the latest thing (1997!), this is probably worth reading. In any case, Walker’s book is set to become the latest pop-psychology business bestseller – we’re so beyond The Tipping Point.

You can read the Introduction here, courtesy of Random House.