Guy Julier y Viviana Narotzky enfocan su objeto de estudio a la sociedad contemporánea influenciada por la transnacionalización y la globalización y en los nuevos paradigmas del diseño y la cultura material de la mecanización y la seriación que marcan al diseño y la historia en el siglo xx.

The Barcelona episode of Hong Kong TV’s Design Cities series airs on Boxing Day (Dec 26) – a rare opportunity to hear me proffer yet more words of wisdom, in Chinese! (Dubbed, of course). An English version DVD is in the works… I’ll keep you posted.

The new web of Parc de Belloch has been launched, with a whole set of great video interviews about design, Barcelona, urban landscaping and the city. Each interview comes with a downloadable pdf transcript in both the original Spanish and a translated English version.

I’ve posted a link to my own contribution above, and you can access further words of wisdom by the likes of Miguel Mila, Antoni Arola, Beth Gali, Nina Maso or Javier Nieto on Belloch’s site.

The Architectural Foundation COAM in Madrid has organised an exhibition of one-off Verner Panton chairs, reinterpreted by a selection of Spanish designers and artists. The show, 10 Autores + 10 Sillas Panton, will close on October 7 with an auction of the pieces, reworked by Agatha Ruiz de la Prada, Alberto Corazón, Álvarez Sala y Rubio Carvajal, Angel Schlesser,  Guillermo Pérez Villalta, Javier Mariscal, Manuel Serrano, Ouka-Leele, Pedro Feduchi, and Tuñón y Mansilla.

Showroom VITRA
C/ Marqués de Villamejor nº 5 – Madrid
Tel. 91 426 45 60 –  www.vitra.com

I’ve added a new page to this blog – it’s called ‘The work’. It lives on the right-hand sidebar, alongside ‘the author’, ‘the blog’ and ‘the book’.

It has a selection of links to some of my writing, as well as a few downloadable PDF files. There’s writing on Barcelona, including a full chapter of my book La Barcelona del diseño. Many of you have been asking if it was available in English – not as yet, but here’s a taster.

There’s also links to online excerpts of other things I’ve written about: old American cars in contemporary Cuba, TV makeover shows and domestic interiors, the challenges of historical research in archive-averse environments, or the relationship between footnotes, chairs, and cities.

Go have a look – the goods are in The Work. There are texts in English, Spanish and Catalan, so there’s something for everyone!

The Design History Foundation launches its teaching programme with a course on Art Deco, which will offer both an international approach to the style and sessions on its local impact.

The 18-hour course will take place between 30.09.09 and 16.12.09, at the Disseny Hub Barcelona, C/ Montcada, 12, 08003 Barcelona. Sessions will be in Catalan.

More information here.

Ulysse Nardin Chairman Mechanical Smartphone

I’ve been following the Steampunk phenomenon with fascination. It’s a stylistical branching out that makes perfect sense to me, bringing as it does the formal exuberance of 19th century excitement at the technological wonders of the industrial revolution, its heavy mechanical seduction, its steam and coaldust manliness, onto the flat, bland and opaque physicality of our own turn of the century electronics: Steampunk is hard at work trying to turn Bill Gates into Isambard Kingdom Brunel.

Until now, Steampunk has been a somewhat tribal affair, developed by cyberpunk geeks intent on beautifying their gear, a labour of love and tinkering. Well, Steampunk is finally crossing over into mainstream consumer electronics – I was wondering when – and with the support of The Long Now Foundation no less… It makes perfect sense. The Ulysse Nardin Chairman hybrid smartphone’s unique selling point? It’s powered by a mechanical thingy that charges its battery through the users’ movements, just like self-winding wristwatches do. And it looks pure Steampunk.

I leave you with a couple of Steampunk beauties, in the hope that I will get a few of you hooked onto the trend.

Laptop by Datamancer

Brass USB stick

Steampunk'd desktop computer

And of course the most spectacular of them all, Paul St George’s Telectroscope that linked London and New York, the twin capitals of Steam and Punk, in the summer of 2008.

The Telectroscope, London end.

Design collective REDImei are putting together a great online guide to Barcelona graffiti, with photos linked to Google map tags.

UNFORTUNATELY (yes, this is me shouting) I can’t post any of the great pictures here, because all the images on their flickr photostream have an ‘All rights reserved’ Creative Commons licence. Come on, guys. This is street art we’re talking about, our shared urban culture, that laughs at private property and writes on walls.

So the picture above comes not from their otherwise wonderful project, but from my own modest collection. And as all my other stuff on this blog, you are welcome to make good use of it should you so wish, under an ‘Attribution – Share Alike’ CC licence.

At least I can give you the link to their Google Maps page.

It’s a fine tribute to Mariscal’s extraordinary creative zest, his enduring playfulness, and the sheer power of a vision that has created a very consistent personal world, both laid-back and vibrant.

A few days ago I went to the presentation of Designpedia.net, a recently launched online encyclopaedia on Spanish Design. Designpedia is an open project based on the Wiki concept and under a Creative Commons license, which will grow thanks to the contribution of its users. Its remit is Spanish graphic and product design, although it welcomes interdisciplinary links across a variety of design fields, and its focus on Spanish design does not imply a strict territorial delimitation.

During the early stages of the project, an editorial committee will ensure the quality and relevance of the content, and it is hoped that as the project gains momentum, it will move closer to functioning as a wiki system that is self-edited and self-curated.

Spanish design has a considerable historical trajectory, a diverse institutional network and an active, energetic professional and cultural context. It desperately needs projects that can consolidate all that, and the focus provided by Designpedia is very timely, so I’m hoping this one will take off.  It’s been put together by knowledgeable and enthusiastic people. It also has a great interface, is very user-friendly, and google-friendly.  And I’m in it. So what more can I say to convince you? Go have a look, and if you can, contribute.

Designpedia.net is a project of the Fundación Signes.